Film
The craft: sound design, mix and post-production for film, brands and voice-over. The half you don’t see, the one that pulls you into the scene.
Sound design — Mix — Post-production — Voice-over Scroll ↓-
Monkey
Re-recording mixer, foley and music editing for the feature film.
A Chicano man convicted in the U.S. of involuntary manslaughter defends himself in court and ends up serving twenty-three years; his life, in three acts and three poems. The team and I found a way for the sound to tell his story. Delivered in 5.1.
- Direction
- Faustino Alanís
- Re-recording mixer
- Foley
- Music editing
- 5.1 mix
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Hikari
Re-recording mixer and editor of dialogue, effects and music.
A father must find his son's killer to avenge him. I worked with the team on dialogue, effects, music and the final mix, holding the atmosphere and the attention all the way to the end. Delivered in 5.1.
- Direction
- Jonathan Paris Jalili
- Re-recording mixer
- Dialogue editing
- Effects editing
- Music editing
- 5.1 mix
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Más grande que Jesús
Dialogue editing and assistant mixer for the feature film.
A satire about a frustrated artist who fakes his death to sell records, only to be overshadowed by the death of John Lennon and, months later, that of Bob Marley. I kept the voice clear in the dialogue editing and supported the final mix. Delivered in 5.1.
- Direction
- Fernando Siller
- Dialogue editing
- Assistant mixer
- 5.1 mix
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El paso de Eva
Music editor, sound editing and final mix for the short film.
An auteur erotic thriller: a trans protagonist crosses an underworld of desire and violence toward a "return to Venus," more poetic than explicit. I designed music, sound and mix —from noise to ecstasy, never letting go of the tension. Delivered in 5.1.
- Direction
- Mike Asylum
- Re-recording mixer
- Sound editing
- Music editing
- 5.1 mix